Obama's Rhetoric

British writer Jonathan Raban, in the London Review of Books, observes that Barack Obama's rhetoric is something more than "empty optimism":

Those who hear only empty optimism in Obama aren’t listening. His routine stump speech is built on the premise that America has become estranged from its own essential character; a country unhinged from its constitution, feared and disliked across the globe, engaged in a dumb and unjust war, its tax system skewed to help the rich get richer and the poor grow poorer, its economy in ‘shambles’, its politics ‘broken’. ‘Lonely’ is a favourite word, as he conjures a people grown lonely in themselves and lonely as a nation in the larger society of the world. (Obama himself is clearly on intimate terms with loneliness: Dreams from My Father is the story of a born outsider negotiating a succession of social and cultural frontiers; it takes the form of a lifelong quest for family and community, and ends, like a Victorian novel, with a wedding.)

The light in Obama’s rhetoric – the chants of ‘Yes, we can’ or his woo-woo line, lifted from Maria Shriver’s endorsement speech, ‘We are the ones we have been waiting for’ – is in direct proportion to the darkness, and he paints a blacker picture of America than any Democratic presidential candidate in living memory has dared to do. He courts his listeners, not as legions of the blissful, but as legions of the alienated, adrift in a country no longer recognisable as their own, and challenges them to emulate slaves in their struggle for emancipation, impoverished European immigrants seeking a new life on a far continent, and soldiers of the ‘greatest generation’ who volunteered to fight Fascism and Nazism. The extravagance of these similes is jarring – especially when they’re spoken by a writer as subtle and careful as Obama is on the printed page – but they serve to make the double point that America is in a desperate predicament and that only a great wave of communitarian action can salvage it.